” might just as well be titled “Single White Female Nanny” or “Fatal Domestic.” Still, if this isn’t the most surprising or original among the Belgian helmer’s character-driven thrillers to date, it does compel attention with its elegantly crafted tale of a wealthy family infiltrated by a young woman with a hidden agenda. The mix of art-house bona fides and pulp satisfactions should put the Toronto fest world premiere in a position to attract sales in various formats around the globe.
You might ask why these intelligent, worldly people entrust their child to a total stranger, or accept her word as truth over anyone else’s. Particularly since Gloria seems nervous and furtive even before she begins driving a wedge between each family member in earnest. Marcel is the first to truly notice her irrational behavior, which both attracts and frightens him.
The disbelief “Inexorable” requires audiences to suspend gets easier as the film gains momentum, growing increasingly stylized towards a high 1970s giallo level of luridly colorful presentation as events become more outré. Still, the film is arguably more defined by the moneyed splendor of its leading figures’ surroundings than the mad malevolence of their interloper.
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