. Combining va-va-voom Golden Age of Screwball Comedy glitz and sass with sleight-of-hand involving making bottles of whiskey appear and disappear, Hendrix/Darling’s act both celebrates and upends the “sexy assistant” trope in magic. She’s not just for show. Shethe show, and her “assistants” tend to be the men she pulls up onstage as her comic foils—the Ralph Bellamys to her Irene Dunne.
, Rosenkranz told me that he hopes it will be a center for more illusion-based magic, rather than solely Chicago-style close-up art; whiledoesn’t fully lean into illusion, the bigger stage feels fitting for its star’s larger-than-life persona. Hendrix has a gift for sussing out who is game for her teasing . Her “magical mixologist” mixes and matches up patrons; on the night I attended, Joe the investment adviser and Skye the theater professor were reborn with a top hat and a fan, respectively, as “Fernando” and “Esmeralda” for a bit. And of course, participants are also asked what they’re drinking .
But no matter how you dress it up, magic is about how well the artist makes you suspend disbelief, and Hendrix nails the “how did shethat?” aspect. She could perform in khakis and a plaid shirt and it would be as impressive. But not as much fun, and definitely not as sparkly. Why go for beer when you can get girl-drink drunk with Lucy Darling?
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