In the 'Nanny,' Hell Is Nice White Parents

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'Nanny' mixes the plight of an immigrant domestic worker with African myth to deliver a powerful, reality twisting fable of our time. REVIEW:

has been described as a horror film, or at the very least horror-adjacent, but in truth the movie slips beyond easy categorization. There are horrors here, and more than a little dread. But its power owes just as much, if not more, to the material realities hemming its heroine in from all sides. Aisha, played by Anna Diop, is a recent immigrant from Dakar who’s taken on a new job as the nanny for a well-off white couple, Adam and Amy .

is a movie about a world that does not make it easy for Aisha to reunite with her son, not only because she is an immigrant working at the behest of people more powerful than her, but because she is a Black woman, vulnerable to the optics, to her need for money, to the miniscule fissures of power and privilege that can define a life. Which is not to say that she lacks agency — if anything, Jusu is committed to complicating our expectations of what that might mean.

 

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