) dilates the question through the clever plot device of portraiture structured by the female gaze, in what could be considered an inverted domestic tragedy.
And it is men who, even from the outside and off screen, control the overarching stories of these women’s lives: Marianne’s art career is dictated by her father’s success as an artist as well as the men who run the art world; Sophie is impregnated by a man and she has to find a way to rid herself of the unwanted pregnancy; and Héloïse’s life has been promised to a Milanese nobleman whom she has never met and whom she does not want to marry, for her family’s future security.
Marianne begins her project like any other painter who approaches the female subject as an object — as a body in parts. After her first day with Héloïse, she ruminates on Héloïse’s earlobe, hair, and hands, and that evening we see her spread sketches of Héloïse’s body parts across the floor.
Source: Entertainment Trends (entertainmenttrends.net)
MaryMcDonnell10 I hope some women had as much courage as these two characters during that time. I was very disappointed with the Césars this year. Women are not represented enough. Only 4 women to have obtained the César for the best movie and for the best achievement just 1. F**k patriarchy. ✊🏻
MaryMcDonnell10 Thank you so much for sharing it
MaryMcDonnell10 I'm still crazy mad at the Césars (french equivalent of the Oscars). This movie was nominated 11 times and only won best photography while it would have deserved more. A movie (good but still) featuring only men won almost everything. And they gave best director award to a rapist
MaryMcDonnell10 Thank you, Mary, for sharing this article... great article and analysis for a superb, amazing, moving and empowering movie!
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