In new program, Patrisse Cullors will help artists find “the language of protest” - Women’s Media Center

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“I kept making art, and my art started to transform, and it started to take a different shape.” OsopePatrisse

,” incorporated live music, performance and improvisation, and even sculpture, and saw Cullors, in a claw-foot tub, washing her own hair with the help of 13 other Black artists, as well as sitting in a circle with them, the members of the group passing honey water to each other. The audience participated, too — joining the performers in whispering, “It’s dangerous times, we must be connected, we have to stay connected.

The continued opportunity for Cullors and her colleagues to continue working, creating, and caring with and for one another has been, in many ways, one of the most powerful parts of building the program for the activist. “It is very magical,” she told me. Those interventions emerge from the very design of the program, and from the orientation and collective intentions shared by the faculty. Courses are offered online, expanding access and allowing for participation from nontraditional students, like mothers and working-class artists holding down jobs. Whereas most MFA programs put artists in boxes by medium or form, the Social and Environmental Arts Practice program is intentionally interdisciplinary.

 

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OsopePatrisse Good for her arts

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