I Thought Emily in Paris Might Be the New Generation's Sex and the City, but I Was Wrong

. It felt like the show was aiming for major Carrie Bradshaw vibes with the character's love of mismatched prints and over-accessorizing, but it missed the mark for me. I didn't have any issue with any of the pieces Emily wears on the show, it was more about the sheer amount of items that are lumped together to create"a look." There's no shortage of amazing designers in the episodes, ranging from classic ones like Chanel and Marc Jacobs to newer ones like Ganni and Staud.

The outfits make it seem like Emily is trying too hard, rather than it coming effortlessly as it seemed to for the fashion-loving characters of, rather than something fresh and fun from 2020. For our generation, it's all about mixing high with low. Gone are the days of only dressing in full designer pieces to be considered"fashionable"; today's consumer is looking for a unique mix. Pair that designer bag with a chic blazer from a more affordable brand.

Another thing to note: the price points for most of the items she wears, even for a day at the office, are totally unaffordable. It seemed like all of a sudden once she arrives in Paris, Emily's entire wardrobe is bursting at the seams with one major designer after another — not very realistic.

Maybe the show is a hit because it provides a form of escapism — and in Paris, no less. Right now, I'll take any escape I can get, especially since I've been at home for the majority of this year, but this show was also harder to relate to. While Emily's outfits did fall short in my eyes, maybe I expected too much from all the hype surrounding the show before its release.

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