great on Prince’s classics, and it definitely made more sense than, say, Jennifer Lopez wading through the entire Motown catalog last year. But it was, at best, perverse — and not in a coolPrince, who told me in 2014 that it was time to embrace the “feminine energy” in music and society, would have likely been more impressed by the musicality and fearlessness of his one-time protégée Lizzo’s show opener, and the casual multi-instrumental mastery displayed by H.E.R.
Spelling Ric Ocasek’s name wrong in the In Memoriam section was insulting, as were the omissions of David Berman, Bushwick Bill, Scott Walker, and others. And while Trombone Shorty and the Preservation Hall Band was a lovely touch, it only underscored the fact that the random, corporately driven “moments” could have been replaced by honoring some of the musicians who actually died in the past year, beyond the welcome Nipsey Hussle salute.
Did you really think that Aerosmith and DMC was actually good?
I did know all the words though to body electric. Learned one summer at camp when I was about 8! But......
I feel like there was a theme of no hooks or catchy riffs of any kind this year.
haha
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