against the mainstream media. The thriller, from director and screenwriter Alejandro Monteverde,
Advocates in the fight against child sex trafficking, by contrast, take issue with the film for canonizing the controversial operations of Ballard and his former organization, Operation Underground Railroad. Ballard has been accused of staging rescue missions as a means of self-promotion, and critics maintain that centering his story misrepresents how victims are actually lured into forced sex work.
Ballard has been scrutinized by anti-child-trafficking advocates for embellishing his stories and using missions to promote himself, and that has cast doubt about the authenticity of the events depicted in the film. It was very important that I remind the audience at all times that they’re watching a movie. That’s why the film is a little bit operatic. You know the fight, at the end? [The fictional Ballard and his rescue team confront the traffickers and a battle ensues to free a group of enslaved children]. When I arrived the first day, they have rehearsal for three days with the stunts and everything. And I saw it. I was like, “That looks very real. Guys, I actually want to [make it look] like an opera.
When I started seeing that develop in front of me, my first instinct was to [distance] myself from it. I don’t want to be part of anything that falls in the area of politics. So when I started seeing division, my first instinct was to run. I’m from Mexico, and I didn’t arrive to be part of a divided country. And I don’t like to judge people, because we all have our own way of thinking. Those interviews that you’re mentioning, that’s a different way of thinking than mine.
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