release. The pandemic allowed for people to stay indoors and wax nostalgic on entertainment that made them feel safe. And’s creatively misleading retro storytelling not only brought a visual comfort, it also told an underlying story of one woman’s intense grief and how she needed to escape from reality.
“A lot of us, Teyonah , Katheryn , Paul, were all trained from different acting conservatories,” says Olsen. “We are all students of acting. I mean it was so dorky, we would do vocal exercises in hair and makeup, trying to find this world together. I would look to everyone around me to figure out, ‘OK, are we really doing this cheese? Is this really what we’re doing?’ But we were all doing the same amount of cheese, and as an ensemble we were supporting and holding each other up.
“I’m really grateful for this show,” continues Olsen, “I got to have a lot of fun showcasing in a way of being a ham. I haven’t gotten to do that in a lot of my work. You learn in life to become quiet and reserved and polite, and it’s really fun to have that opportunity to access the skills that you’ve learned throughout the years. It awoke my body up to what I love about work and I’m feeling residual effects in a positive way preparing for my next job.
'Small screen', so 1980's
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