How Simon Godwin Directed ‘Romeo & Juliet’ Hybrid Adaptation After COVID-19 Broadway Shutdown

We were filmingwithout ever leaving the theater. There was no Italian sunshine, there were no piazzas, there were no cafes. This was going to be a film rooted in the theater, and so rather than that being a problem, we decided to take the stoic philosophy of “the obstacle is the way”; use what you have, even if what you have is very challenging.

I’ve known Josh for a long time, since he was at drama school at the Bristol Old Vic. When he came in to audition to play Romeo ­— this was before the first series ofhad been released — I was thrilled to see him again. He read the verse with such tenderness and vulnerability, but also edge, that I was convinced he would play and bring something very different to Romeo. He has known Jessie Buckley for a very long time, they’re friends in life.

What was the importance of doing this show as a tribute to and celebration of theater during such a hard time for the community? It was wanting to celebrate the power of the imagination, that theater is an art form that is based around communal storytelling, shared witnessing and make-believe. Rather than trying to create any kind of naturalistic film of, we wanted to create a film that in itself activated that imaginative muscle in everybody watching it, and in doing that made everyone remember the beauty and the importance of theater.Comedians and Marvel stars stepped onto the small screen this year.

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