are among those who found freedom in the isolation. They exited 2020 with an album that’s fun, thoughtful, and possibly evenThose familiar with the sunny, psychedelic jangle of Divino Niño’s full-length debut, 2019’s. The project opens with a viscous dembow beat, over which guitarist Camilo Medina and bassist Javier Forero languidly sing-rap. Over the next 11 tracks, lush synth pop mingles with reggaeton, house, and trap.
Medina, Forero, and guitarist Guillermo Rodriguez, who all sing and rap mostly in Spanish on the new album, find that the songs’ more electronic presentation helped them access a range of feelings and moods — including “sassiness” — that they couldn’t reach on earlier releases., we never got sassy, but on ‘Miami’ we have a real sassy verse,” Medina quips over a Zoom call from his arty apartment.
“It definitely opened a box of emotions, because, at least from my end, I was trying to fit in the indie scene of Chicago. There’s really not many Latin bands in the scene. It’s mostly white people. So the whole time, I just felt so constricted. Like, ‘Oh, my God, the pants gotta be like this,’” Medina jokes. “When we started making music like this, it kind of exploded, like, ‘Yo, I don’t know who made up all these rules because I don’t think they are real.
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