How Marcel the Shell became 2022's best feel-good movie | Digital Trends

Creating a great, feature-length film isn’t easy when your protagonist is a tiny seashell with one eye and a pair of simple shoes glued onto it, but that’s exactly what director Dean Fleischer-Camp did with the aptly titled Marcel the Shell With Shoes On.

Digital Trends: What were some of the big steps in building out Marcel’s world into something that can fill a feature film? Oh my God. So bizarre. You’re going to love this. We basically wrote the screenplay while recording the audio. It was kind of done in tandem. Nick Paley and I would write for a few months, then we’d do two or three days of recording, and then we’d write again.

Yeah, when Marcel is riding in the car, we’re passing trees constantly and there are shadows flickering over him on the dashboard. Every one of those flickers on him is our stop-motion DP looking at the footage and recording, “Okay, we passed a tree at this moment, and then this moment, and then…” and he’s got a light to create the sunlight effect on Marcel, advancing one frame at a time to match exactly with every tree we pass or anything that creates a shadow in the live-action footage.

I loved seeing Marcel finally go out into the big world outside the house. How did that element of the story change the way you approached the film? We challenged ourselves to figure out how to expand his world by looking near instead of far and being introspective about it. And eventually, it kind of snapped into focus when we realized he doesn’t actually need to go to Paris and New York City because he’s tiny in this outsized world. The house is huge and dangerous and crazy to him already. Once we figured that out, we started to think, “Oh, that’s a way to expand his character.

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