‘How I Learned To Drive’ Broadway Review: Mary-Louise Parker & David Morse Revisit Roles After 25 Years

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In the 25 years since Mary-Louise Parker and David Morse first performed Paula Vogel’s Pulitzer Prize-winning play How I Learned To Drive, the name for the disturbing process that we witness …

, the name for the disturbing process that we witness being depicted on stage has long since entered widespread usage. If audiences can now readily label what happens as “grooming,” Vogel’s emotionally complex masterwork remains as unsettling, disarmingly funny and as deeply moving as ever.

presents Li’l Bit’s encounters with Peck at various points in her pre-college years. We first meet them – Parker’s character narrates from a modern-day perspective recalling events of the 1960s and ’70s – when a 17-year-old Li’l Bit already seems wise beyond her years, and, oddly, in control.“It’s 1969,” the older Li’l Bit tells us, setting the stage. “And I am very old, very cynical of the world, and I know it all.

Vogel intersperses scenes of the uncle-niece encounters with depictions of other family memories, many of them comic if, on second thought, no less disturbing. In one, Li’l Bit’s mother instructs her daughter on the finer points of social drinking, a hilarious riff that stands in stark counterpoint to the sight of Uncle Peck plying his underage niece with one martini after another.

 

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