Seimetz declined to speak about Carruth directly, but she did acknowledge how elements of her real life made their way into her film’s portrait of living with anxiety and fear.“That’s the thing about anxiety, is there’s a mundaneness to it, because when you’re having an anxiety attack or you’re having anxiety about something traumatic, it never reaches a pitch where there’s a finality to it,” Seimetz said.
Since South by Southwest was canceled and the plans you had to launch your films were thrown into disarray, what have the last few months been like as filmmakers with new movies at the ready?For me it’s been a struggle, honestly. It’s been sort of fighting for everything I can manage to get for this film, fighting for its life. Really.
When the two of you met it was kind of the peak of the micro-budget independent filmmaking movement that came to be known, pardon the phrase, as mumblecore. From that scene emerged Barry Jenkins, Greta Gerwig, Mark and Jay Duplass, Lynn Shelton, Lena Dunham and a lot of other performers and filmmakers who have gone on to much bigger, more mainstream successes.
Kris, on the flip side your work has become more conventional. The shape and form of your new movie is much more easily understood than some of your earlier work. How conscious has that been for you?: As Amy was speaking I was thinking that I’m actually giving myself permission to go more conventional. And I think especially coming from those early days, making work with Joe where the impetus was on producing stuff that is not mainstream.
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