,” he also stepped into the directing ring for the first time. Also returning for the latest installment is cinematographer Kramer Morgenthau, who was tasked with framing the film’s epic boxing matches. Together, Jordan and Morgenthau worked to create the franchise’s most visually unique chapter to date.
When lighting Adonis for the film, Morgenthau bathed the character in red. He says, “That’s his energy, success and the burning fire underneath him. His logos are red, his gloves — there’s a red light focused on him as he does his walkouts. There’s even a red hallway he walks through.” So — with Jordan’s Adonis wearing crisp white boxing shorts in one corner, Majors’ Dame in black silk shorts and a diamond logo in the colors of the Pan-African flag in the other — Morgenthau aimed to capture a “Gladiator”-esque moment.
The challenge, Jordan explained, was finding a way to “find the right balance, bringing the essence of what anime give you and what I love about it and import that into a family drama-thriller.”
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