name-checked Fosse while pressing glitter on top of fuchsia eyes and lips. "[Bob] didn't just choreograph," explains Kaliardos, who, as a young boy, was heavily influenced by Fosse's 1979 American musical dramaChicago
through a semi-autobiographical fantasy. "He was all about creating these expressive, hyper-individual characters," said Kaliardos. "And always with this extra-ness in the hair and makeup that communicated glamour. That showbiz feeling, you know?" In honor of Anderson's big night on the Great White Way, we're looking back on the beauty motifs that Fosse and his genre-defining productions thrust into the zeitgeist, from Swinging Sixties eyes to impossibly chiseled limbs.During the Roaring Twenties, women cut their hair into bobs—lopping off the old, and ushering in the new in the most liberated sense.
Source: Entertainment Trends (entertainmenttrends.net)
“Chicago” returned to Broadway in 1996; it's both the longest-running musical revival and American musical in Broadway history.
Broadway in Chicago
Bob Fosse is amazingly creative and produces absolutely brilliant work. All That Jazz is an outstanding piece of cinema.
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