Solid Gold Sounds“I’ve interviewed him before,” Shiflett says during the podcast’s introduction. “We’ve toured together. We’ve written songs together. I’ve played his Honky Tonk Experience at the Exit/In a couple times. I’m just a big fan of him and his music.”to date. Read on for a list of episode highlights, and take a listen to the full episode below.as a “country as fuck” record, pointing to its vintage charm and old-school approach.
“The dudes that played on [the album] were the original retro guys,” he says of musicians like Gene Chrisman and Bobby Wood. “They played on everything from ‘Pretty Woman’ to ‘Good Time Charley’s Got the Blues’ to ‘In the Ghetto’ for Elvis. Them guys have been around forever.”‘ not-so-secret weapons is Black Keys singer-guitarist Dan Auerbach, whose production techniques emphasized live takes and organic sounds.
“He don’t overthink things,” Marvel says of Auerbach, who recorded the album in Nashville and released it on his own label, Easy Eye Sound. “A lot of these guys in town are from the school of Mutt Lange, where everything’s perfect. [With Auerbach], there are no drum clicks. They don’t play to a click. There aren’t any loops going on. None of that shit. It’s just live music. We track that stuff live. There are some flaws in it … and that makes it cool.
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