On a scorching May afternoon in Manhattan, the comedian is staying in the Gramercy Park Hotel between stops on her first U.S. tour for her new special, “Douglas.” Smartly dressed in a suit and pink enamel octopus pin , Gadsby settles into a booth at the ground floor’s upscale Italian restaurant and notices something profoundly irritating about her surroundings.
Gadsby’s somber meditations on these points made for some of “Nanette’s” most powerful moments – or, depending on whom you ask, its most controversial. A wave of righteous anger from some comedy fans, overwhelmingly men, contended that “Nanette” shouldn’t count as standup comedy at all. This reaction, Gadsby shrugs, doesn’t faze her. “What I find so funny about these men getting so angry about comedy is, for starters, it’s all made up,” she says.
Still, Gadsby maintains that she would never condone censoring him. “If I didn’t know Louis CK still had an audience and a voice, I’d probably happily retire,” she says. “But I can’t, can I?” She raises her eyebrows. “Let him go out there, let him do what he does. We have to know that there is a large audience for that, and that they’re allowed to vote.” As far as she’s concerned, C.K.
Gadsby’s transparency and even defiant willingness to bare uncomfortable truths is – as millions discovered during “Nanette” — as jarring as it is breathtaking. For as forthright as she is on just about any subject that comes up, being a public figure doesn’t exactly come easily to her.
She looks like one of those hard left news pundits that's always on the verge of tears over every minor event.
If Keith Olbermann and Norm Macdonald had a child together
She was never funnier than in the opening monologue of her special:
Who is hannah Gadsby
Hannah who?
Can't retire because Louis CK has a voice?
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