Saxophone soloist Steven Banks, center left, and guest conductor Xian Zhang, center right, at the Kennedy Center on Thursday.
Style is where The Washington Post covers happenings on the front lines of culture and what it all means, including the arts, media, social trends, politics and yes, fashion, all told with personality and deep reporting. For more Style stories,She magnified lovely details such as the toothy strings at the outset, and the gales of woodwinds and horns that stir at its center — sometimes it was as though she were using her whole body to zoom in.
To bring in its closing section, Banks retreated to rear stage right, tucked back by the piano and a row of horns. From there he offered a sweet, sentimental passage with pianist Lambert Orkis, fielding responses from the flutes and strings, which picked up and passed themes on to the oboes, bassoons and horns. Banks toggled back to the soprano for a finish as white-hot as the filament of a lightbulb.
A show-closing run through Dvořák’s Symphony No. 9 in E minor, “From the New World,” shifted the focus back to Zhang, who did everything a conductor could do to make its familiar slide show feel like a fresh set of images.
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