show in Paris, models embodied a refined brand of irreverence. The feel was evidenced through the ensembles—fringed tweed and taffeta commingling with lace, feathers blooming from ballgowns, a duo of Havisham-esque brides dripping in plumage and pearls—with designer Clare Waight Keller espousing inspiration from "an anarchic woman who comes through the château." The collection was titled, and Keller furthered the notion by evoking an image of a “bird woman trapped in the house.
. The moment may be difficult to recreate in full, but the accompanying spirit—exotic, insurgent, and sumptuous—is one primed for Paris Couture's over-the-top revelry.
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