“I am me. The others are the others,” said Giorgio Armani with a shrug after his first show of two this morning. “When I create my collections, I think about women I meet everywhere, and not out of intellectual or sexual stimulation. Instead, I think of their faces. We can accept everything today, but that’s not me: I’m over seeing a joker walking around Via Monte Napoleone in her underpants.
Gina di Bernardo, who starred in many of Aldo Fallai’s defining 1980s campaigns for the designer, opened the show in a technically paneled shades-of-gray overcoat and pleated silvery separates between a fedora and flats that were embellished with the winter flower illustrations after which this collection was named. Loose velvet combats and soft tailored herringbones were among the panoply of pants worn above gently embellished and oversized outerwear .
Eveningwear included purely silhouetted gowns in black decorated with dragonfly embellishments. These, Armani conceded, might make suitable choices for those in need of a red carpet dress. Before posing for a group photo with the doughty corps of Italian fashion correspondents who have followed him for so long , Armani had told: “I don’t think I will ever stop working, because dressing people is my life’s great passion.
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