One of the strengths of German cinema is its diversity, says Simone Baumann, managing director of the national film promotion agency German Films. As well as the three films at Toronto directed by female German helmers, there was also German filmmaker Thomas Heise’s documentary film essay “Heimat Is a Space in Time.” Then there were [...
Annie Silverstein’s feature debut “Bull” swept three awards at the 45th Deauville American Film Festival, including the Grand Prize, the Revelation Prize for best first film and the Critics’ Prize. “Bull,” a portrait of a rebellious teenage girl from South Texas, world premiered at Cannes’s Un Certain Regard and marks Silverstein’s follow up to her [...
At last week’s Toronto Film Festival premiere of “Hustlers,” an audience of Hollywood heavyweights and Canadian locals applauded as a statuesque woman strutted on stage, rocking six-inch platform heels and a pastel tie-dye bodysuit. This adoration was not for stars Jennifer Lopez, Constance Wu or Keke Palmer, nor was it for the film’s acclaimed writer-director [...]
I respect that this is the opinion of some German filmmakers, but did no one note the irony of an article calling another country’s cinema risk-averse appearing in Variety, of all places? The trade pub for a Hwd whose defining characteristic is risk-aversion?
If this article were a book, you could hollow it out and put your gun in it knowing it would be safe on the shelf forever
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