are among the first to read any new Anderson script. “He and I have been corresponding with music since the day we met,” says Poster, “and over the course of 25 years there’s a lot of musical history that we draw upon for different projects.”
“It’s a handful of people at a newspaper in the past, a little place, like a postcard from the ’60s, so there was no reason for the score to be lush or huge,” Desplat explains. “We needed something sparse and clear, and solo piano seemed to be the best option.” Three of Desplat’s 11 Oscar nominations are for Anderson films and he won for one, 2014’s “The Grand Budapest Hotel.”
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