Maybe the last place anyone would expect to see Grammy-nominated rapper Freddie Gibbs is on a farm in the Berkshires, ranching under the tutelage of a scruffy, scrappy white man with a coincidentally deep, abiding love for rap music.
That’s something I didn’t do on my first film. It was mostly non-professional actors. This was Freddie’s first role, almost, although he has done a lot of music videos and shorts and stuff like that. But yeah, it was really important to have these two elements meet: The first time actors or non-actors meeting with more professional actors. And I think it worked really well.Yeah, I think so too. Working with Jamie in particular, I think that helped sharpen me up.
It was wonderful to watch that, because I could see Freddie do nothing and I was just happy with it. The face and the body told so much already. But luckily it’s not just a film about Freddy doing nothing. [laughs]I can relate to Mercury’s pain and the things that he was feeling coming from the rap game, because I can share some of those same sentiments.
I mean, working with Freddy on this was just incredible because the instinct that he has is something unmatched. He would do something sometimes with the little bit of information that I gave him, or that we talked about before the scene, and he would just either nail it or do something completely different that would also be amazing. I mean, the sense of timing that he has—not even talking about rapping or anything, just acting or being in the moment. That was amazing.
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