Late one night, in the middle of shooting “Shogun,” Anna Sawai panicked. The actress had been struggling with her role as Lady Toda Mariko and couldn’t crack the precise emotional beats she needed for a tense dinner scene.
“I think I felt that way because Mariko also felt very stuck,” she says. “She was in a position where she was lost, too.”Style is where The Washington Post covers happenings on the front lines of culture and what it all means, including the arts, media, social trends, politics and yes, fashion, all told with personality and deep reporting.
“We wanted her to sound proficient and fluent and to feel that there was a dignity there, and that’s what she brought,” he adds. “She has this lone wolf quality that made her portrayal of Mariko unique and special.”Ahead of shooting “Crimson Sky,” Kondo remembers checking in with Sawai about her state of mind. “I just gripped her by the shoulders and I’m like, ‘I’m worried for you,’” Kondo remembers.
“That was a new finding for me, which was a very pleasant surprise,” Sawai says. In the minutes before contemplating her character’s suicide, she found that “seppuku had another meaning to it.” “It was odd getting used to it because it's nothing like what we do when we try to connect,” she says. “Physically getting into the character really helped me kind of transform into her.”
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