and Scott Adkins, reunites with filmmaker Ernesto Díaz Espinoza for a transcendently simple standalone feature. If you’re not familiar with Zaror ,is the perfect introduction to the secret weapon best known by direct-to-video action enthusiasts and Robert Rodriguez completionists. He’s jacked, he’s stoic, he can pull off all sorts of silly stuff with a straight face and, most importantly, he’s a great fighter.
Much of the movie’s thematic thrust, about dark reflections and the destruction of the ego, bolsters this reading; even if the brothers are two separate entities, they compose one full person. One has a wife and daughter, one is a loner with only a disciple to his name. One was accepted as a student by the keeper of the Condor technique . The other, forced to watch from a distance, acquired the same skills alongside a heart-darkening resentment.
“This film represents my own journey as a martial artist to a great extent, particularly the winding but necessary path to overcoming my own perceived limits through the process of trial and error—and a great deal of introspection and perseverance,” said Zaror in a statement.
Source: Education Headlines (educationheadlines.net)
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