, which I thought was wonderful. In its nature it’s a quite different movie.is almost a circle; you’re going through the same corridors, the same stage. It’s like a state of mind, almost. It was comedic in many ways and it was almost a piece of magic realism in the way that Alejandro [Gonzalez Inarritu] can do. It opened with a man levitating, and talking to a figment of his mind. So it was more of a dream state. But technically I thought it was very beautiful.
When I got that piece of information about the retreat of the Hindenburg, I immediately thought, well there’s the movie. The more you read, the more fascinating it is. [The Germans] destroyed the land [behind their line]; they cut down the trees, they killed the livestock and cattle. They destroyed anything of lasting value. They laid trees across the roads…: Absolute scorched earth. Retreated and left nothing behind. Except for some snipers, landmines, booby traps.
In terms of physical hardship, there was a lot of being outside, and we covered a few miles each day, just walking and moving constantly. Technically, because you’re shooting 360 degrees often, we had to be a long way away from the action. Roger was operating remotely, in a tent a long way from where the camera operator was. He was operating it on wheels. We had six or seven different rigs that we shot on.
So you’re writing off Star Wars and Cats.
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