Filmmakers Radha Blank and Channing Godfrey Peoples on Fighting to Tell Stories That Celebrate Black Women

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Last January, Radha Blank and Channing Godfrey Peoples were in Park City, Utah, anxiously awaiting their respective Sundance debuts of “The Forty-Year-Old Version” and “Miss Juneteenth,” films they…

Blank says she was “immediately invested” in Godfrey Peoples’ movie, “because you can’t help but also look for things that are affirming

The specificity through which the two tell their tales sets each film apart, Godfrey Peoples explains, but the core goal remains the same — telling stories that celebrate Black women. One of the themes these films have in common is how they look at ownership for Black people — how did that relate to your journeyI had the first ideas for the film probably a decade ago, but [my husband and producing partner, Neil Creque Williams and I], in earnest, pushed the film up the hill for about seven years and had to explain what Juneteenth is. And during that time, people weren’t jumping up and down to produce a film about a little-known day.

So much of what I really experienced as a creative is reflected in the film; I think that’s what I do with my frustration around not being seen, not being valued.

 

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