), a newcomer in this sparsely populated community, is another loner, who has moved into a decrepit, long-empty house down the road from the Allens’ in order to “fix it and flip it.” One blizzardy night he has maybe a couple more drinks than he ought at the local bar, then drives home. He’s carefully avoiding some deer when he hears a thunk under his truck’s rear wheels — something that turns out to be Echo, who’d gone out sledding after dark without mom to watch for passing traffic.
Needless to say, Ivy is distraught when she returns from seeing a client to find her daughter missing. The police shrug it off as a probable runaway scenario. They also shrug off mom’s later insistence that she just wants to know who the killer is — because the genuine psychic abilities she thought she’d lost have now returned, leaving no doubt that her daughter is no longer alive.
That last element occasions some surreal imagery, as reality, dreams, and hallucinatory visions begin to blur for the adult protagonists. But despite that, as well as Trey Lindsay’s special visual/makeup effects, “Deeper” mostly works because of its unfussy simplicity of style and content, which recalls some early-1970s indie drive-in horror favorites without being self-consciously retro about it.
Source: Entertainment Trends (entertainmenttrends.net)
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