features Webster singing “I should get out more” repeatedly over the pedal steel. It sets the tone for the entire record: tracks like “Hurts Me Too,” “Jonny” and “What Used to Be Mine,” delve into heartbreak, while the groovy, keyboard-laden “Pigeon” is about the time Webster literally sent a pigeon with a note to a guy in Australia. “I would never look at this record and be like, ‘Here’s my romance record!'” Webster says. “But it is a lot of that.
Webster’s newfound solo confidence has also grown since signing to Secretly Canadian. “I finally belong somewhere,” she says of moving on from her first label, Atlanta’s Awful Records. “I was such an outlier on Awful,” she says of the hip-hop collective. “I always felt at home [there], but I think they didn’t know what to do with me sometimes.
“I’ve spent less time perfecting and just accepting the fact that this is how I wrote these songs,” she says of the process of writing . “I think I like to keep my songwriting more raw now, which I was scared to do before.” The album cover demonstrates this bold mentality: Webster holds a handful of gold coins up to her face, covered in chocolate. “I wanted to do something with money, but not just me looking rich, because I’m not,” she says.
Webster is currently on the road supporting the album. Her favorite part? Meeting others the yo-yo community, naturally. “People get me to sign their yo-yos,” she says. “They tell me all the time, ‘I just bought my first yo-yo as an adult!’ It’s really great.”
Source: Entertainment Trends (entertainmenttrends.net)
_baelar We gotta get her to sign our yo yos
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