Once you start getting opportunities, take any job that can help you learn how the set works, the experts recommend. “Everything moves so quickly, and no one really teaches you any of this, so you have to kind of learn by watching,” said Burns, whoMany make the mistake of focusing only on their own jobs when they’re on set, said McDonald, who’s credited with starting the first agency specializing in dancers and choreographers in the ‘80s.
To become efficient and effective at the job — which is what gets you hired back, McDonald said — you need teaching experience. “If you are a dancer and are represented at an agency with a choreography department, let them know that you are interested in moving towards choreography work, and they can help guide you towards that goal,” she said. “If you don’t currently have representation, you can look into submitting to choreography departments. Some places will accept submissions of your reel, and other places are referral-based.
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