of sex and drug use. But one element that makes the scenes that have caused such an uproar online so effective is the music that underscores them.
In the pilot, Rue gets high at a house party while Jamie XX’s “I Know ” bubbles up to the surface. That same episode also features tracks by Migos, Megan Thee Stallion, and even Beyoncé, and marksas a show that not only purports to capture teenagedom in America right now but has the music to match. It’s safe to say that clearing a Beyoncé song for a pilot of a show is no simple task, but if you’ve got the money and the right team on board, it’s possible. Such was the case for, which paired Andy Williams’s “Can’t Get Used to Losing You,” a song that Beyoncé’s “Hold Up” heavily samples, with the superstar’s critically acclaimed 2016 track for maximum impact on the show’s title card.
Malone, who has worked on the music for a handful of television series with notable soundtracks, such as, keeps current much the same way the rest of us do: “Through Spotify, Soundcloud, Instagram, and Twitter. I just find the artists and read all the blogs. There are a lot of people I work with in the licensing community who always have up-and-coming artists,” she explained. “I have a good network of friends who know what’s poppin’ and use playlists.
“Everybody’s just really pumped about the music, especially the Megan Thee Stallion placement, which I was really excited about. When I gave it to the editors to put it in, they were like, ‘Oh, my God, this is so dope!’ It turned out that a lot of the cast were listening to Megan Thee Stallion also, when they were shooting. So it’s nice that Sam was really psyched to have that.”“I have an amazing coordinator, Candice.
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