Ennio Morricone Was His Own Musical Genre

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Ennio Morricone made soundtrack music that lived on its own. BilgeEbiri writes on how each piece was an expressive universe unto itself

Photo: Tiziana Fabi/AFP via Getty Images My parents tell me that when I was a baby, one of the few things that could get me to stop crying was Ennio Morricone’s score for A Fistful of Dollars. It certainly makes sense. I don’t know when I first heard the name “Morricone”; it’s lost in that distant region of childhood that’s inaccessible to memories.

The classic Morricone composition is built around what starts off as a very basic, sweet, almost childlike melody — gently whistled or softly crooned or played on a simple instrument, a lone flute or tinkling piano or even a desolate harpsichord; sometimes, it’s a musical pocket watch. Listen to the central motifs of A Fistful of Dollars, or For a Few Dollars More, or Duck! You Sucker, or 1900, or Come Maddalena, or The Mission, or The Desert of the Tartars, or The Bird With the Crystal Plumage.

Over and over in Morricone’s work we hear this structure repeated. An innocent, expressive melody ambushed by drums and distant trumpets and unlikely sound effects — animal shrieks, ominous thumps, hyena-like wails, mysterious nocturnal crowing — rolling toward a newfound, fearsome beauty.

Source: Entertainment Trends (entertainmenttrends.net)

 

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BilgeEbiri This genius enriched our lives through music and feelings.... RIP master.

BilgeEbiri Il. Maestro era uno paisano

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