The new “Elvis” film is not based on her book, nor did Luhrmann read it, by his account . But Nash’s work is considered the authoritative word on Parker, a former carnie who made his fortune off the King, and whose pros and cons as a very, very controlling manager continue to be debated to this day.spoke with her about how much rings true about both of the movie’s primary subjects, point by point.
No, no, not at all. Elvis took care of what Elvis did, and Colonel took care of what Colonel did. He liked it that Elvis did what brought folks into the big tent. Listen, this guy was no fool! Parkerit that Elvis was like a male striptease artist… like the bally girls on the carnivals. That sold tickets! The only time Parker got critical is when the shows began to falter re: drugs or erratic behavior on stage. But that was in the ’70s.
Yes. Elvis never knew how many shows he played free to satisfy Parker’s enslavement to the roulette wheel and the craps table. In fact, Colonel didn’t even have to go down to the casino. The hotel would bring a roulette wheel to his room. Alex Shoofey, the executive VP of the International, testified that Parker was good for $1 million a year in gambling, but others think that number is low.
No. Eddy Arnold, whom Parker had built into a household name, had fired him as his manager over failing to honor their exclusive contract, though Parker continued to book him. The Colonel was now looking for the next big thing.
I would agree with that. But this is Lurhmann telling us Elvis didn’t steal Black music, as he has been accused of doing, but performed it in homage. I would say it was in his spiritual DNA, as he grew up with Black playmates and heard that music all around him. But Gladys was a big Grand Ole Opry fan, and it was in part the Colonel’s introducing her to Hank Snow that got her to let her boy go with the Colonel.
Helping Elvis Presley, right, cut a straight furrow is his business manager and confidant, “Colonel” Tom Parker of Madison, Tenn. on January 7, 1957. Scene is from the set of the Presley movie, “Love Me Tender.”shown as being Parker’s idea to get him away for a while to put a lid on the sexual energy and image.
Yes and no. It was supposed to be a Christmas show in the sense that it would air in December, and Parker wanted it to be a family show with Elvis as a ‘60s-era Bing Crosby or Perry Como. But there was never a Christmas sweater or a fairy-tale Christmas set. That’s Luhrmann being the showman. Parker was ticked that there was initially no Christmas music, though, and Steve Binder and Elvis threw him “Blue Christmas” as a bone.
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