'Dune' appropriates Islamic, Middle Eastern tropes without real inclusion, critics say

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“It’s like ... our homes and foods and songs and languages are just right for Western stories, but we humans are never enough to be in them,' one critic said.

When Timothée Chalamet’s character Paul first lands on the “Dune” desert planet Arrakis, the son of Duke Leto Atreides is naturally greeted with a crowd. Onlookers, called Fremen, in dark head and face coverings shout in a tongue almost identical to Arabic. Women ululate in the background as they first lay eyes on their white “chosen one,” their future leader.

If you all love Dune so much please think about supporting Muslim/SWANA SFF writers and stories instead, writers who are writing about their own cultures/regions/faith and not through an orientalist white lens. Stop reading stories"inspired" by us, just read books BY us.Dune is a racist, white savior narrative that relies on people’s ignorance of Arab Islamic history to make itself creative.

Despite the shortcomings, Rasoul acknowledged that “Dune” is a complex work that doesn’t fall completely into orientalist tropes. She also nodded to some diversity in the cast, which features Black and Asian characters in a few prominent roles. It highlights the narrow set of roles that Muslim actors in Hollywood seem to fit into and the underlying Islamophobia in Hollywood, Rasoul said. Muslim characters in U.S. movies and TV shows tend to be relegated to specific tropes, if included at all.

Source: Real Estate Daily Report (realestatedailyreport.net)

 

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