Much of Beth Harmon’s arc happens internally: her struggles after being orphaned, her plight as a female chess prodigy, her battle with addiction. Designer Gabriele Binder used color strategically to telegraph those struggles—green, for instance, to mark when Anya Taylor-Joy’s character lost her mother, then again when she seemed to heal. “When she gets to Moscow and the final game, we came back to this green color to show that she is reconnected again,” she says.
For the show’s final scenes, Binder wanted to signify Beth finally finding peace. The last costume seen is an ivory coat and sculptured hat made from alpaca wool, which when worn together softly emulate the silhouette of a chess queen. Says Binder, “We wanted to make a point, but without losing the costume language of the whole series.”NBC’s biographical sitcom about Dwayne “The Rock” Johnson.
Evans accommodated each story line, whether the wardrobe called for retro wrestling gear, ’80s sweaters, or a Woody Woodpecker starter jacket. She estimates that she relied on vintage clothing for about 60 percent of the wardrobe while custom-building the rest. “I felt like we were re-creating this moment that had this grounded-authenticity feel to it,” she says., based on Colson Whitehead’s 2016 novel, depicts the antebellum-era path to freedom as a literal railway.
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