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As “Supermodel” illustrates, Luna veered from evasive to outright prevaricating when asked about her racial background. She told people she was Polynesian or Mexican. One of her peers in the documentary said he believed she was Indian, and apparently she did nothing to correct him. In one of the many archival clips from “Supermodel,” an interviewer inquires if her blue eyes were real. Luna, who was naturally blessed with large almond-shaped brown eyes, answered, “That’s a secret.
The same article details Luna’s meeting with director Otto Preminger , where she arrived wearing a blonde wig and blue contacts. New York is where Luna first achieved success in the pages of Harper’s Bazaar. The fashion magazine likened her to a “Masai warrior.” Still, it was an extraordinary feat that met inevitable racist backlash: white subscribers and advertisers pulled their business.
At the heart of the film is Dream Cazzaniga, Luna’s daughter, who lost her mother when she was just 18 months old. It is clear that the soft-spoken Cazzaniga inherited her mother’s sensitive nature, and still feels the impact of the loss after all these years. She lovingly recites passages from Luna’s journals that chronicle her many professional and personal triumphs and challenges.
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