Seeing flowers as sculptures, she “feels the weight of doing them justice and making sure that [the result] is an object and a feeling of absolute beauty.”With influences as broad as mystic elements taken from her Catholic upbringing, artists that range from Marina Abramovic to Anish Kapoor and “every artwork [she] has ever taken in, voluntarily or not,” Cooper’s compositions are bold gestures that often seem to taunt gravity with their horizontal outlines.
Her childhood was spent in Manly, a seaside suburb of Sydney, Australia, best known for its beaches and surfing spots. Diagnosed with an aggressive cancer and given six months to live when Cooper was six years old “exaggerated his philosophical vision,” lead him to talk about “how what he did in butchery was akin to sculpture,” using rules of composition to back his reasoning, she recalls of her father.
After an undergraduate degree in sculpture, she broadened her studies to include performance and installation. A master’s degree followed, as did a Ph.D., ”the greatest indulgence of [her] life” that forced her to “relinquish everything in order to get it done,” including her marriage.
If she describes her writing as “a bit elliptical and difficult,” the captions she today regales the 72,000 followers of @doctorcopper with swing between the laconic and the poetic, with a dash of breezy elegance.Nowadays, Cooper’s artistic practice is looming larger than commercial pursuits, seeing her become the first permanent resident at The Mint, a residence within the Sydney Living Museums, and artist-in-residence in the city’s Hermès store.
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