. The time between eras is elided, as thematically sympathetic scenes from movies made decades apart mingle on the Main Street walls together. As our various Disney heroes start to be overcome by doubt and fear a life-sized Baymax flies over the castle, but that isn’t enough to inspire them; a flood of apocalyptic images follow, from the shuddering mill of “The Old Mill,” to a despondent Mirabel fromcrying out that she’ll never be good enough.
I’m mostly surprised at how deeply this show touched me. I’m already more prone to cry at animation than live action, but I expected this to be a glorified fireworks show and not something that would almost move me to tears. It was all so overwhelming, though—the music, the images, the way they surrounded me on Main Street, the story they told.
Senior editor Garrett Martin writes about videogames, comedy, travel, theme parks, wrestling, and anything else that gets in his way. He’s on Twitter
Source: Entertainment Trends (entertainmenttrends.net)
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