Riz Ahmed, George Clooney, Delroy Lindo, Gary Oldman and Steven Yeun take us inside their new films and open up about their insecurities.of photographs. Within the first week and a half in Vietnam, he was in-country, fighting. He took these pictures on his Kodak, or whatever, and I went through every single one of them.
Filming in Thailand, you, as Paul, march into the rainforest at one point and deliver this wild Lord’s Prayer-meets-Marvin Gaye stream-of-consciousness rant. How did that sequence come together? When I walked off into the jungle, the wind kicked up, and the trees started swaying back and forth, just as I’m emotionally swaying back and forth. That was supposed to be the end of the scene. Me quoting the 23rd Psalm and screaming Marvin [Gaye] lyrics — none of that was scripted. I just articulated what I was feeling. Spike kept the cameras rolling, and the sound man picked it up.Yes! You don’t believe me, ask Spike. In the script, I call my son a backstabber and say, “I’m out.
That was it. I’d been on the film five or six weeks at that point, so I was in a groove. Any actor will tell you, the first couple of days on a film set you’re still finding your feet, getting your bearings. So for this cat to show up literally on his first day of work and produce like that — it’s a testament to who Chadwick was as an actor. From a craft standpoint, a creative standpoint, it kind of takes your breath away.
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