jumped to the forefront of diasporic Black European directors reclaiming their ancestral African roots.
in Paris to the economic capital of Cotonou in Benin. Exhibition curator Calixte Biah catalogs every crack or missing part or sign of damage in each piece. The scrutiny of the camera in some ways echoes the observational style and attention to every step of a complicated process that you might find in a
In Benin, the single-word banner newspaper headline, “Historique,” announces the importance of the objects’ return as they sit, still crated, in a temperature-controlled room waiting to be installed in the presidential palace and put on display to the public. Street celebrations and the arrival of local dignitaries for the unveiling highlight the cultural significance of the ancestral “homecoming.
One young woman confesses that she wept for 20 minutes upon seeing the treasures displayed at the Palais, experiencing a surge of pride in the ingenuity and artistry of her ancestors. Another talks of being raised on Disney, her own country’s glorious history marginalized.
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