. The movie is a fake. It is hardly coy about that fact; after all, heist movies and films about con people are fixated on the lines separating the actual and the artificial. Following Debbie Ocean , sister of the late Danny Ocean , and her lady rat pack of designers, fakers, crooks and criminals—all after a $150 million Cartier necklace that is to hang off the neck of Daphne Kluger on the night of the Met Gala —asks its characters to discern what’s fake and what’s not.
Still, these transgressions, and the changes catalyzed by them, exist within the context of an artificial world that’s been scripted, even after being derailed. Habits may change, but sitcom tropes are still a watered-down version of the self-fulfilling archetypical routines we unknowingly repeat. The expansion of the open minds of Pleasantville was inevitable; popular culture is a fragmented reflection of the landscape that created it.
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