‘Corsage’ review: Vicky Krieps excels as an Austrian empress throwing away caution, pomp and circumstance

We’ll be dealing with dramatizations of the lives of royals forever, if only because the public/private schism of They Who Wear The Crowns and those who live in their vicinity is so temptingly easy to map out on paper. All that circumstantial pomp, all those game-day faces and manners, colliding with so much backstage intrigue, away from prying eyes.

“Corsage” is like that, but it’s really good, and far less hidebound than most treatments of its ilk. It stars Luxembourg-born actor Vicky Kriepsas Elisabeth Amalie Eugenie, the 19th century empress of Austria and queen of Hungary known popularly as Sissi.Krieps worked steadily in Europe for years prior to her English-language breakout role as Alma, opposite Daniel Day-Lewis, in the lovely, twisted “Phantom Thread” .

“Corsage” offers Krieps the most interesting role she’s had since “Phantom Thread.” Austrian writer-director Marie Kreutzer’s brash and disarming historical drama keeps the leading actor front and center, while sustaining an intriguing guessing game regarding the interior life of Elisabeth, empress, royal emblem, thwarted free spirit.The movie starts in 1877, and in some respects “Corsage” doesn’t waste time orienting the audience.

Elisabeth married Emperor Franz Joseph I in 1854. As “Corsage” begins, she is 40 and terrified that her caché and public allure are waning, fast. Weary of the Habsburg court life, she flees Vienna and travels to England and Bavaria. “Mad” Ludwig II, her dissolute cousin, provides a bit of solace, as does an English riding master. Back at court, meantime, the wheels turn against her.

Kreutzer’s film is beautiful in ways that rarely take the chill off the central character. It recalls many previous royal-centric works, most recently “

Source: Entertainment Trends (entertainmenttrends.net)

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