this year, which will screen online on Wednesday July 7 and on-site on July 10 at the hybrid Cannes Marché du Film.
Most of them reflect the deep trauma the country suffered under the brutal military dictatorship of Augusto Pinochet . society and today it is the daughters and sons, even the granddaughters and grandsons of those who lived and suffered at that time, who raise their voices to expose these traumas and the repercussions that they have had in their own generations,” says Chiledoc director Paula Ossandón, pointing to the social unrest that broke out from October 2019 as one of the signs.
“The real success was that it became a topic of conversation at home, that people wanted to see it, that they knew that it existed and were amazed that a documentary could be funny, capable of putting issues that matter on the table, and that those topics – old age, abandonment- were finally the ones that both the media and the public were talking about,” she continued, adding that interest in docu-fiction hybrids and finding new, non-traditional forms of examining reality are also in vogue.
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