spent her formative years searching for a sense of belonging as a performer—whether on a stage or in Chicago’s musical zeitgeist. In 2012 she found that elusive sense of communion seething from the PA at Cafe Mustache during a set byof Circuit des Yeux. It encouraged Shaffer to think beyond the typical boundaries for women in music, and last month, nearly a decade later, she released her first album under her own name, a meditative montage of voice and found sound titled.
is an ever-wandering sound study that feels like it’s in perpetual motion, untethered by earthly constraints. Shaffer transforms each song into a rousing panorama, whether she’s negotiating a wrong turn while cruising down back roads with a lover or wading in a transitory moment of desire .
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