This is a gentle tale of a decades-spanning friendship that seems a little out of its depth in such a heavyweight showcase. With terrific cinematography and two engaging leads, it’s easy on the eye — as well it should be at two hours and 27 minutes — but it’s lackluster in its telling and pales next to Paolo Sorrentino’s, which covered similar themes of adolescence and young adulthood last awards season.
This intro, though, is simply the foundation of a strangely bloodless buddy movie that evokes the spirit of TV’swith its scenery and homilies. Pietro, now played by Luca Marinelli, moves back to the city, where he falls out with his family and alienates himself from his father, a paradoxical creature whose hidden extremes begin to emerge after his untimely death.
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