Brace Yourself for Jordan E. Cooper’s Ain’t No Mo’

, is an older straight Black woman who learns her child is queer, and it tells the tale of unlearning generational phobias in a Black home. Since Cooper lived out a similar scenario in his own life, the show doesn’t spend too much time on the closet — “There’s something about coming-out stories I don’t appreciate,” he told me — but more on the ways a fraught family’s bond can be deepened when a member chooses to live a little more liberated.

He and a girl in his theater class, Serafina, were the only Black people in the department; both were rejected for an audition where damn near everyone else got in. “The teacher came and talked to us and she was like, ‘Serafina, you would be so good in this play, but you would have to be romantic with a white boy onstage and it would look like peanut butter and tuna together.

Come the summer of 2016, driven by the back-to-back shootings of Philando Castile and Alton Sterling by police, Cooper, then 21, got to work onHe felt compelled to redirect his grief toward humor, as is often his way: “I thought,Before he’d figured out the full story, Peaches popped into his consciousness. “I just kept hearing these characters,” he said.

came on as a producer in 2018 when Cooper’s show was in its initial run at Public Studio. The Academy Award nominee and longtime showrunner was looking for fresh Black writers who wouldn’t pander to white TV execs. “So I went to New York and saw” he recalled, “and Cooper was just daring. He didn’t think inside the box.” Daniels threw Cooper into the writers’ room for the series

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