If you aren’t young now, chances are good that you were once. And if you’ve ever gone on an adventure while young, you know the enthusiasm you felt setting out. The endless directions your mind wandered as you placed yourself in unfamiliar territory and learned to navigate a place beyond your previous horizons. The person who you found at the end of the journey. Still the same, yet somehow changed.
Norwell is an engaging companion on this trip, equipped with all the prerequisites for a 20-something testing themselves against the world: big dreams, healthy optimism, and an outlook heavily influenced by Buddhist philosophy. His journals reveal an inquisitive mind and a tendency towards self-reflection when the going gets tough. A trip like this will give anyone ample time to get lost in their own thoughts, and Norwell’s thoughts tend toward both the philosophical and the practical.
The account is accompanied by Norwell’s watercolors and occasional sketches, which capture details both large and small of his journey. Each section comes with a hand-painted map of the region he was traveling through. From there the work ranges from the water to the land as he weaves his way through the Inside Passage. The diversity of topics he puts his brushes to is remarkable.
The art is fun to look at, and Norwell discusses his belief that text and art should be merged, arguing that humans are visual learners and that words and pictures together can teach things more effectively than words alone.
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