, Susan Sarandon stars as Lily, a bougie-boho-boomer architect facing the beginning of the end of a death from ALS, who gathers her loved ones around her for one last weekend at the family's ostentatiously discreet seaside villa before she commits suicide.
It doesn't help that this particular combination of constituent plot mechanics — character plans suicide, fractious family gathers to say goodbye, revelations ensue — feels somehow both a bit hackneyed and far-fetched. That's especially true when a brace of last-act revelations — the second one is a real doozy — threaten to upset Lily's meticulously curated and choreographed last day.
In a smartly observed touch, the kid actually gets on best with fellow outsider Chris , the on-again-off-again lover of younger sister Anna who seems to be in a permanent tiff with her family and the world at large. The script sort of invites the audience to play armchair psychologist and diagnose what Anna's problem is.
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