The Big Picture Bridgerton and House of the Dragon are not the first times Olivia Cooke and Claudia Jessie have donned exquisite dresses, attended lavish balls and maneuvered within the limits of a wealthy high society. In 2018, they join forces as best friends to lead a classic period drama where everyone is complicit in one of the seven deadly sins: vanity.
It is really in Becky's storyline that the tumbling pacing of the show is formed. Her whirlwind life as a con artist that physically cannot keep still pushes us to sprint alongside her to keep in line, but, she proves time and time again that she is always one step ahead. On the other hand, Amelia's story reins us in momentarily, and although her side has very little screen time in comparison, the hard-hitting plot points mean the drama does not let up.
But Vanity Fair sets her apart through the jolting eye contact she makes with the camera, carelessly breaking the fourth-wall during significant turning points of her story that make us co-conspirators to her devious plans. Yet this offense makes her all the more likable, as her arrogance and vanity exude from her confident strut and melting gaze. In a way, we are essentially in the same position as her husband, Rawdon Crawley .
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